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DTSTART;TZID=America/New_York:20250220T080000
DTEND;TZID=America/New_York:20250531T170000
DTSTAMP:20260410T144508
CREATED:20260403T184216Z
LAST-MODIFIED:20260403T184217Z
UID:829-1740038400-1748710800@pegs.embold.net
SUMMARY:TOIL | Mark Keffer & Casey Vogt
DESCRIPTION:MARK KEFFER\n\n\n\nMy paintings are an effort to reflect a state of uncertainty\, one that is the natural product of the times in which we live\, but also\, one produced by the cognitive processes of perception and memory. These aspects of the mind are fragmentary and subjective and inspire the spatial ambiguity and other formal disruptions in my work. Attractive colors and patterns create semi-ironic moments of optimism in the midst of existential voids. \n\n\n\nThere are often references to circuitry\, which are used primarily to symbolize information to which we have no access. I see ultimate truths as unknowable and hope to mirror our state of not knowing. At times\, the work evokes remnants of a future digital past. I embrace open-endedness and a degree of absurdity in my work\, as they echo the world around us. \n\n\n\nNo Us\, the title of the current series\, is a provocative and subjective effort to address the artist/viewer relationship\, and\, by extension\, elusive uminations on the self. If meaning in art is projected\, not inherent\, then importance is placed on the experience and understanding (and emotions) of the viewer. \n\n\n\nI hope there will be an awareness of this on the part of the viewer that might facilitate a look inward. Ultimately\, I want to make work that questions the nature of reality\, both internal and external. I want to make work that functions at\, or beyond\, the limits of my own understanding. \n\n\n\nmarkkeffer.com \n\n\n\n\n\nCASEY VOGT\n\n\n\nThis exhibit features 14 of my paintings made over the last 14 years\, and while there is a wide visual range from series to series\, there is an underlying theme that hasn’t left. I have an unabashed love of pattern\, repetition\, collage\, and house paint. \n\n\n\nFor me\, it’s about the economy of it all\, make something beautiful out of something pedestrian. Scrapbooking paper\, xeroxes\, rubber stamps\, and markers of all colors each make their way into my paintings. Transformation is paramount. I started painting images with cowboys in graduate school as a way of memorializing the toughest of us\, the ones that didn’t need help and could exist on their own. I placed them in fantastical environments as a way of elucidating the disconnect between life and land. \n\n\n\nIn retrospect\, I realized that I was painting images of my dad\, who was NOT a cowboy\, but was just as stoic\, and hard-working. The series titled “Where have all the Cowboys gone?” were made with collaged images of real cowboys on panel. After he died in 2022\, I made the decision to remove those cowboys as a way of visually depicting his absence. \n\n\n\nFor me\, my hero\, was gone….. \n\n\n\nIn my latest work I have taken to painting intricate shapes\, interlinked\, as a further way of connection to those I’ve lost. The time spent creating each new piece allows me to embrace the memories\, joy\, and love that I’ve experienced with them. Ultimately\, I paint loss\, but hopefully in a beautiful and interesting way. \n\n\n\ncaseyvogt.com \n\n\n\n\n\n\n\n\n\n\n\n\nMark Keffer\, viels\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\nMark Keffer\, yes positive\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\nMark Keffer\, event\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\n\n\nMark Keffer\, there is no me\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\nMark Keffer\, second source\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\nMark Keffer\, domain of influence\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\n\n\nMark Keffer\, pinwheel\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\nMark Keffer\, black radiance\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\nMark Keffer\, notnotsane\,Acrylic on cut paper\, 35 x 26″ (40 x 31 framed)$3300 \n\n\n\n\n\n\n\n\n\n\n\n\nMark Keffer\, no us 15\,Acrylic on paper\, 28 x 20″ (36 x 28 framed)  $2300 \n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Ma\,House paint on panel\, 18 x 18″$2000 \n\n\n\n\n\n\n\n\n\nCasey Vogt\, Pa\,House paint on panel\, 18 x 18″$2000 \n\n\n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Fractured #1\,House paint on panel\, 36 x 12″$2250 \n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Fractured #2\,House paint on panel\, 30 x 12″$2000 \n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #1\,House paint and collage on panel\, 24 x 24″$2250 \n\n\n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #3\,House paint and collage on panel\, 18 x 18″$2\,000 \n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #4\,House paint and collage on panel\, 18 x 18″$2\,000 \n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #5\, House paint and collage on panel\, 18 x 18″$2000 \n\n\n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #7\,House paint and collage on panel\, 18 x 18″$2\,000
URL:https://pegs.embold.net/event/toil-mark-keffer-casey-vogt/
LOCATION:Peg’s Gallery | Multi-Purpose Room\, 53 First Street\, Hudson\, Ohio\, 44236
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/webp:https://pegs.embold.net/wp-content/uploads/2026/04/ToilShowCardFinal2-1024x732.png.webp
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DTSTART;TZID=America/New_York:20250509T110000
DTEND;TZID=America/New_York:20250830T160000
DTSTAMP:20260410T144508
CREATED:20260403T173620Z
LAST-MODIFIED:20260403T173621Z
UID:811-1746788400-1756569600@pegs.embold.net
SUMMARY:Drawn Together | Women Artists of Hudson
DESCRIPTION:From the 1960s to early 2000s\, a remarkable group of women artists in Hudson\, Ohio quietly shaped the town’s cultural identity through painting\, sculpture\, assemblage\, needlework\, and historic decoration. Though not a formal collective\, these artists inspired one another through friendship and proximity\, living and working in Hudson’s central village. As Hudson grew from rural town to vibrant city\, their art brought beauty and meaning to its transformation—earning national recognition and challenging the norms of their time. Drawn Together: Women Artists of Hudson honors their legacy and invites a new generation to be inspired by their creativity and community spirit. \n\n\n\nCurated by Katie Coulton & Linda Weary Bricker with the help of the Drawn Together Committee.On Peg’s Campus at the Baldwin-Buss-Merino House\, open Friday & Saturday 11AM – 4PM
URL:https://pegs.embold.net/event/drawn-together-women-artists-of-hudson/
LOCATION:Peg’s Campus\, 53 First Street\, Hudson\, Ohio\, 44236
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/webp:https://pegs.embold.net/wp-content/uploads/2026/04/Drawn-Together-Web-1024x731.png.webp
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