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DTSTART;TZID=America/New_York:20260131T170000
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CREATED:20260403T160402Z
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UID:809-1769878800-1769886000@pegs.embold.net
SUMMARY:ITERATIONS - Rhythm & Reason
DESCRIPTION:OPENING RECEPTION: Thursday\, October 9 from 5-7PMON VIEW: October 10\, 2025 – January 31\, 2026\n\n\n\nIn ITERATIONS: Rhythm & Reason\, artists Peter Christian Johnson\, Janice Lessman-Moss\, and Brinsley Tyrrell investigate rhythms of continuity and transformation through weaving\, ceramics\, and sculpture. Each work registers repetition\, labor\, and change: from the measured cadence of woven threads to porcelain forms poised between balance and collapse\, to tactile sculptures shaped by the land itself. Seen together\, the works invite us to understand making as both an archive of time and a practice in continual motion. \n\n\n\n\n\n\n\n\n\nPeter Christian Johnson\n\n\n\nPeter Christian Johnson is currently an Associate Professor of Art at Kent State University after spending 11 years at Eastern Oregon University. He earned his MFA from Penn State University and a BS in Environmental Science at Wheaton College. Peter has been a resident artist and visiting lecturer at the Alberta College of Art and Design\, Australian National University\, The Archie Bray Foundation\, the LH Project\, and the Odyssey Center for Ceramic Arts. His work has been exhibited in Canada\, Australia\, and throughout the United States.His work explores the tension between acts of labor and collapse\, between precision and failure. It is a meditation on entropy that uses architecture as a foil to examine the dichotomy of beauty and loss. He is interested in transformation\, which is expressed in both destruction and growth. Much of his work involves creating complex porcelain structures that are encouraged to warp or collapse in the strain of the firing. They expose the relationship between soft and hard\, the fluidity of a membrane\, and the moment of intersection between these contrasting elements. Ultimately\, they are a metaphor for the human condition\, paradoxically both broken and at times beautiful. \n\n\n\npeterchristianjohnson.com \n\n\n\n\n\n\n\n\n\nJanice Lessman-Moss\n\n\n\nJanice Lessman-Moss maintains a weaving studio in her home in Kent\, Ohio\, USA where she is Emeritus Professor at Kent State University. She was awarded a United States Artists Fellowship in 2019\, the Cleveland Arts Prize Lifetime Achievement Award\, the Governor’s Award for the Arts in Ohio\, an Arts Midwest/National Endowment for the Arts Fellowship in Crafts\, and nine Individual Artist Fellowships from the Ohio Arts Council throughout her career. Her work been presented throughout the United States and internationally\, including a recent solo exhibition at the Kent State University Museum.In her art\, she embraces the unique vocabulary of digital design and its relation to the binary functioning of threads on the loom. Shiny metal wire is integrated into the woven compositions to enhance the richness of textural contrasts and engage the viewer in more active discovery. Traversing the space in front of the weavings reveals a play of light\, reflection\, and shadow within its low relief sculptural surface. She works with abstract systems in networks of interlocking shapes to create a dynamic topography expressive of her interest in Random Walk theory and the actual practice of walking; rhythmic movement all rooted in a matrix of circles and squares.janicelessman-moss.com \n\n\n\n\n\n\n\n\n\nBrinsley Tyrrell\n\n\n\nBrinsley Tyrrell is a multidisciplinary artist whose practice spans drawing\, sculpture\, architectural design\, metalwork\, and large-scale public commissions. Educated at Camberwell School of Arts and Crafts\, University of London\, he holds an Intermediate Degree in Fine Arts and a National Diploma in Design\, with a focus on sculpture and terracotta. Tyrrell is known for monumental public artworks\, including Behind the Brain Plaza at Kent State University—a 250-foot retaining wall featuring over 3\,000 life-sized cast concrete books and five sandstone carvings\, including The Brain. His work has earned the Cleveland Arts Prize for Lifetime Achievement\, the Cleveland Museum of Art’s May Show Sculpture Award\, and the Governor’s Award for the Arts in Ohio. Internationally\, he represented England at Artists ’77\, a United Nations-organized exhibition featuring two artists from each of 62 countries. “I think of myself as a sculptor. But over the years I have worked in many different materials\, and the scale of my sculptures have varied from tabletop works to large commissioned public sculptures and environments whose context is relocated to their location and weavings. I am inspired by nature. The landscape I live in and my feelings and memories of that ever-changing landscape.” artistbrinsleytyrrell.net
URL:https://pegs.embold.net/event/iterations-rhythm-reason/
LOCATION:Peg’s Gallery | Multi-Purpose Room\, 53 First Street\, Hudson\, Ohio\, 44236
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250612T080000
DTEND;TZID=America/New_York:20250927T170000
DTSTAMP:20260409T221344
CREATED:20260403T175449Z
LAST-MODIFIED:20260403T175449Z
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SUMMARY:Dalí Beyond Time: Fashioning the Future
DESCRIPTION:This summer\, Peg’s Foundation & Gallery in Hudson\, OH will become the epicenter of international art\, fashion\, and innovation with the U.S. premiere of Dalí Beyond Time: Fashioning the Future. \n\n\n\nOpening June 12\, this groundbreaking exhibit brings to American soil for the first time 12 Salvador Dalí paintings—commissioned in 1971 by the world-renowned London tailor and luxury fabric producer Scabal to envision what men’s fashion might look like in the year 2000. These surreal\, vibrant works remain as relevant today as they were visionary decades ago. \n\n\n\nPresented in collaboration with Scabal and Kent State University’s School of Fashion\, the exhibit also features Dalí’s gold jewelry designs and original fashion looks by Kent State students\, who responded to the same creative prompt Dalí was given over 50 years ago. \n\n\n\n“This collaboration with Scabal and Kent State University represents the kind of innovative partnership and moment that our founder Peg championed\,” said Rick Kellar\, president and CEO of Peg’s Foundation. “Peg challenged us to ‘Think Bigger’—and this is that vision in action.” \n\n\n\nThe exhibit runs June 12–September 27 and will include public events\, artist talks\, and student showcases focused on art\, fashion\, and mental health. \n\n\n\nIMPORTANT DATES \n\n\n\nDalí Paintings on View: June 12-July 5\, 2025Student Work on View: June 12-Sept. 27\, 2025 \n\n\n\nSEE MORE INFORMATION \n\n\n\nKent State School of Fashion Has Role in Bringing Rare Salvador Dali Paintings to OhioScabal Vision Collection
URL:https://pegs.embold.net/event/dali-beyond-time-fashioning-the-future/
LOCATION:Peg’s Gallery | Multi-Purpose Room\, 53 First Street\, Hudson\, Ohio\, 44236
CATEGORIES:Exhibit
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DTSTART;TZID=America/New_York:20250509T110000
DTEND;TZID=America/New_York:20250830T160000
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SUMMARY:Drawn Together | Women Artists of Hudson
DESCRIPTION:From the 1960s to early 2000s\, a remarkable group of women artists in Hudson\, Ohio quietly shaped the town’s cultural identity through painting\, sculpture\, assemblage\, needlework\, and historic decoration. Though not a formal collective\, these artists inspired one another through friendship and proximity\, living and working in Hudson’s central village. As Hudson grew from rural town to vibrant city\, their art brought beauty and meaning to its transformation—earning national recognition and challenging the norms of their time. Drawn Together: Women Artists of Hudson honors their legacy and invites a new generation to be inspired by their creativity and community spirit. \n\n\n\nCurated by Katie Coulton & Linda Weary Bricker with the help of the Drawn Together Committee.On Peg’s Campus at the Baldwin-Buss-Merino House\, open Friday & Saturday 11AM – 4PM
URL:https://pegs.embold.net/event/drawn-together-women-artists-of-hudson/
LOCATION:Peg’s Campus\, 53 First Street\, Hudson\, Ohio\, 44236
CATEGORIES:Exhibit
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DTSTART;TZID=America/New_York:20250220T080000
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SUMMARY:TOIL | Mark Keffer & Casey Vogt
DESCRIPTION:MARK KEFFER\n\n\n\nMy paintings are an effort to reflect a state of uncertainty\, one that is the natural product of the times in which we live\, but also\, one produced by the cognitive processes of perception and memory. These aspects of the mind are fragmentary and subjective and inspire the spatial ambiguity and other formal disruptions in my work. Attractive colors and patterns create semi-ironic moments of optimism in the midst of existential voids. \n\n\n\nThere are often references to circuitry\, which are used primarily to symbolize information to which we have no access. I see ultimate truths as unknowable and hope to mirror our state of not knowing. At times\, the work evokes remnants of a future digital past. I embrace open-endedness and a degree of absurdity in my work\, as they echo the world around us. \n\n\n\nNo Us\, the title of the current series\, is a provocative and subjective effort to address the artist/viewer relationship\, and\, by extension\, elusive uminations on the self. If meaning in art is projected\, not inherent\, then importance is placed on the experience and understanding (and emotions) of the viewer. \n\n\n\nI hope there will be an awareness of this on the part of the viewer that might facilitate a look inward. Ultimately\, I want to make work that questions the nature of reality\, both internal and external. I want to make work that functions at\, or beyond\, the limits of my own understanding. \n\n\n\nmarkkeffer.com \n\n\n\n\n\nCASEY VOGT\n\n\n\nThis exhibit features 14 of my paintings made over the last 14 years\, and while there is a wide visual range from series to series\, there is an underlying theme that hasn’t left. I have an unabashed love of pattern\, repetition\, collage\, and house paint. \n\n\n\nFor me\, it’s about the economy of it all\, make something beautiful out of something pedestrian. Scrapbooking paper\, xeroxes\, rubber stamps\, and markers of all colors each make their way into my paintings. Transformation is paramount. I started painting images with cowboys in graduate school as a way of memorializing the toughest of us\, the ones that didn’t need help and could exist on their own. I placed them in fantastical environments as a way of elucidating the disconnect between life and land. \n\n\n\nIn retrospect\, I realized that I was painting images of my dad\, who was NOT a cowboy\, but was just as stoic\, and hard-working. The series titled “Where have all the Cowboys gone?” were made with collaged images of real cowboys on panel. After he died in 2022\, I made the decision to remove those cowboys as a way of visually depicting his absence. \n\n\n\nFor me\, my hero\, was gone….. \n\n\n\nIn my latest work I have taken to painting intricate shapes\, interlinked\, as a further way of connection to those I’ve lost. The time spent creating each new piece allows me to embrace the memories\, joy\, and love that I’ve experienced with them. Ultimately\, I paint loss\, but hopefully in a beautiful and interesting way. \n\n\n\ncaseyvogt.com \n\n\n\n\n\n\n\n\n\n\n\n\nMark Keffer\, viels\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\nMark Keffer\, yes positive\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\nMark Keffer\, event\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\n\n\nMark Keffer\, there is no me\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\nMark Keffer\, second source\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\nMark Keffer\, domain of influence\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\n\n\nMark Keffer\, pinwheel\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\n\nMark Keffer\, black radiance\,Acrylic on paper\, 20 x 16″ (18 x 24 framed)$2300 \n\n\n\n\n\n\n\n\n\nMark Keffer\, notnotsane\,Acrylic on cut paper\, 35 x 26″ (40 x 31 framed)$3300 \n\n\n\n\n\n\n\n\n\n\n\n\nMark Keffer\, no us 15\,Acrylic on paper\, 28 x 20″ (36 x 28 framed)  $2300 \n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Ma\,House paint on panel\, 18 x 18″$2000 \n\n\n\n\n\n\n\n\n\nCasey Vogt\, Pa\,House paint on panel\, 18 x 18″$2000 \n\n\n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Fractured #1\,House paint on panel\, 36 x 12″$2250 \n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Fractured #2\,House paint on panel\, 30 x 12″$2000 \n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #1\,House paint and collage on panel\, 24 x 24″$2250 \n\n\n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #3\,House paint and collage on panel\, 18 x 18″$2\,000 \n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #4\,House paint and collage on panel\, 18 x 18″$2\,000 \n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #5\, House paint and collage on panel\, 18 x 18″$2000 \n\n\n\n\n\n\n\n\n\n\n\n\nCasey Vogt\, Where Have All the Cowboys Gone #7\,House paint and collage on panel\, 18 x 18″$2\,000
URL:https://pegs.embold.net/event/toil-mark-keffer-casey-vogt/
LOCATION:Peg’s Gallery | Multi-Purpose Room\, 53 First Street\, Hudson\, Ohio\, 44236
CATEGORIES:Exhibit
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